More About Developing Comedy Timing

Just released! Punchline Secrets - A Comprehensive Guide For Comedians & Speaking Pros - Click Here.

While I can certainly show individuals how to capture their own natural speaking rhythm on paper and identify aspects of comedy timing that folks can certainly work on off stage for better results on stage using the Killer Stand-up Online Course

There’s one aspect of comedy timing that can only be learned on the stage, which is the adjustment of pause variations that happen naturally as a direct result of audience size.

Provided a comedian’s material is funny, here’s what every comedian should know about comedy timing…

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The bigger the audience, the longer a comedian must pause after punchlines/tag lines to allow an audience to laugh. Bigger audiences will usually laugh longer than smaller audiences will.

Related Offsite Article: How Audience Dynamics Directly Impact Comedy Performance Levels

Audience size will also affect how much material a comedian will deliver.

The bigger the audience, the less material a comedian will deliver because more time is filled with longer lasting laughter.

In contrast, the reverse is true. The smaller an audience, usually the more material a comedian will usually deliver because the laughs won’t generally last as long.

It’s not that the comedian is necessarily delivering material faster with a smaller audience.

As a matter of fact, a comedian’s delivery speed should remain fairly constant (and natural) for the most part, regardless of the audience size.

It’s only through stage experience that a comedian can develop this pausing aspect of comedy timing during a stand-up comedy routine because there is no “standard” audience size.

Some audiences may have 15 people and others may have hundreds of people.

Audience size also directly affects performance measurements using Comedy Evaluator Pro — for what should be obvious reasons.

One thing I know for sure is this:

It is nearly impossible to make corrections to comedy timing issues that affect laughter generation without an audio or video recording of a show to review after the show for performance improvement.

Most new comedians don’t record their shows and subsequently…

They wonder in amazement — sometimes for years — why they continue to be “off” when it comes to their comedy timing and can’t seem to generate the laughs they want.[/hidepost]

Which Is Better: Comedy Classes Or The Killer Stand-up Online Course?

I get emails all the time that basically go like this:

I’m in a comedy class, but then I found your stuff online. What makes your stuff any better than what I am getting in the comedy class that I am in?

Here’s my take on comedy classes and comedy workshops:

While they may be a great starting point for the most BASIC information about stand-up comedy, don’t expect to learn much about how to create a headliner level stand-up comedy act.
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Review: The Killer Stand-up Comedy System

In my opinion the best review of the Killer Stand-up Comedy System and Comedy Evaluator Pro comes from an actual customer — and not a customer who has simply read through the material, but…

From one who actually absorbed and applied the powerful techniques and strategies available in that powerhouse system.

Below is an email I received from a customer. I will let you be the judge of that customer’s review and I provide my comments after:
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